E X H I B I T I O N S

`Solo exhibition´ at AWA Hotel in München, Germany. April-June 2019 

`Showroom´ at joval Design Store in München, Germany. February 2019 

`Group Design Market/Exhibition.´. Mates in München, Germany. 2018 

`Open Call: Design of Politics. Politics of Design – Togetthere Experience´. Die Neue Sammlung/Pinakothek der Moderne, München, Germany. 2018

`Collective Latino Art Show´. Mamushka Gallery. Miami, Florida, USA. 2002

`IX Salón de Artes Plásticas – Festivales del Cabriales´. Fundación Festivales del Cabriales. Valencia, Carabobo, Venezuela. 1999    

‘Colectiva´99’. Galería Artífices. Caracas, Distrito Federal, Venezuela.1999

‘IV Salón Pirelli´. Museo de Arte Contemporáneo. Caracas, Distrito Federal, Venezuela.1999

`sHOTEL(L) – Artist Invations´. Colletive show. Tahitian Inn. Tampa, Florida, USA. 1998

`Bachelor of Fine Arts Graduate Show´. The School of the Museum of Fine Arts. Boston, Massachusetts, USA. 1997

`Frida Kahlo collective show´. Tufts University. Massachusetts, USA. 1997

`Collective Painting Show´. The School of the Museum of Fine Arts. Boston, Massachusetts, USA. 1996

`Collective Sculpture Show´. The School of the Museum of Fine Arts. Boston, Massachusetts, USA. 1995

`Collective Mixed Media Show´. The School of the Museum of Fine Arts. Boston, Massachusetts, USA. 1994

`The Art of Papermaking´. The School of the Museum of Fine Arts. Boston, Massachusetts, USA. 1993

`Collective of Printmaking´. The School of the Museum of Fine Arts. Boston, Massachusetts, USA. 1993

`Collective Show´. Northfield Mount Hermon. New Hampshire, USA. 1993

 

P R E S S

Publication at `A5 Art Magezine´ – UK, April Issue, 2019

Christmas Press-Release by `apriori PR´. Munich, Germany. 2018

Publication `inTouch´ – Germany.  Edition October 2017 

Interview about KALEIDA creations work of art & design by `apriori PR´. Munich, Germany. 2018

Yearly publication `Art Market´. Selection of Artists from Venezuela. Caracas, Venezuela. 2001

Magazine `Expansión´. Interview article about: „How artists should become more creative”. Caracas, Venezuela. 1998

I M P R E S S U M